
Most people come into a family session having already spent too much time in their own heads about it. What to wear. Whether the kids will cooperate. Whether it’s going to feel stiff and awkward. Whether they’re going to walk away with something they actually like.

I hear this every time. And I get it – you’re handing over something that matters to you and trusting that it’s going to work out. That’s not nothing.
Here’s what I actually want you to know before we meet.
The sessions I photograph are documentary at their core. I’m not directing a performance. I’m paying attention to what’s already there – the way your kid reaches for you without thinking, the look you give each other when something goes slightly off-script, the energy that exists between your family when nobody’s trying too hard.

When families come in with a rigid idea of how everything should look, it usually gets in the way. When they come in ready to just be together, that’s when the images get interesting.
So the first thing: let go of the idea that you need to have it figured out. That part is my job.
This is the question I get most. And the solution is much simpler than most people think.
You don’t need to match. You need to coordinate. Think about a palette, two or three colors that work together, and dress within that. Neutral tones, earthy tones, and soft blues tend to photograph well at most of the locations I work with in Charleston, whether we’re at White Point Garden, along Shem Creek, or out at Kiawah.

Avoid busy patterns and large logos. They pull focus. Solid colors and simple textures keep the attention where it belongs – on your faces and your connection.
Comfort matters more than you think. If someone is uncomfortable in what they’re wearing, it shows. Dress the kids in something they can actually move in. If your youngest is going to spend the session trying to pull off their shoes, factor that in.
This is counterintuitive, but I’ve found it to be true: the more you prep kids for a photo session, the more self-conscious they become about it. Tell them you’re going somewhere fun. Tell them there will be a photographer. Leave it at that.

Kids follow the energy of the adults around them. If you’re relaxed, they tend to be too. If you’re tense and over-coaching them, they pick it up immediately.
I work with kids at every stage – toddlers who have zero interest in cooperation, older kids who are mortified by the whole thing, babies who need a feed break every twenty minutes. None of that is a problem. It’s just part of how a real session goes, and I know how to work with it.
If you’re not sure where to shoot, that’s a question worth putting to me before we book. Charleston has a lot of options and the right choice depends on the look you’re going for, the age of your kids, and the time of year.

White Point Garden works beautifully year-round – the light through the oaks in the late afternoon is hard to beat. Shem Creek has a completely different feel, more relaxed and coastal. Kiawah Island opens up different options entirely, though if you’re planning to shoot at any of the resort properties out there, it’s worth checking with the property about permits ahead of time.
For timing, late afternoon is almost always the right call. The light is softer and more flattering, and kids tend to be more settled after a nap or a snack.
After your session, I carefully curate and edit your images before delivering your gallery in a way that gives you space to slow down and really take them in. From there, I help guide you through options for wall art, albums, and prints so the images don’t just live on a screen or hard drive.

Many of my clients are visiting Charleston from out of town, so the process is designed to work seamlessly wherever you are. The goal is simple: to make sure your photographs end up somewhere meaningful – displayed in your home, held in your hands, and returned to over the years rather than forgotten in a folder online.
Family sessions go sideways sometimes. Someone melts down. The light doesn’t cooperate. A kid refuses to look at the camera for the first twenty minutes. That’s not a failed session. That’s just life showing up, and life showing up is exactly what I’m here to document.

The images that tend to mean the most to families aren’t the perfectly posed ones. They’re the ones where you can feel what it actually was like to be your family right now, in this season, with kids at these ages.
That’s what I’m paying attention to. You just need to show up.